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Grupo
de Investigação: Estudos Americanos (GI 3)
Categoria profissional: Estudante de Doutoramento
Graus académicos: Mestrado
Morada institucional: CEAUL -Faculdade de Letras da Universidade de Lisboa, Alameda da Universidade, 1600-214 Lisboa
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Principais Resultados Científicos:
- (2010) “Stills and Frames of a Broken-hearted Girl” short-listed for In the Loop (Contemporary EU Video Art), Washington D.C.
- (2009). Best International Avant-Garde Short-Film, “Confessional Acts”. New York International Independent Film and Video Festival.
Actividade Científica
Publicações em revistas com arbitragem científica e/ou outras publicações:
- (2012). "O corpo e o sentido do trágico em Elephant de Gus Van Sant." Drama, revista de cinema e teatro. Nr.4 (Mar).
- (2012). “Play and Kill: Film Teenage violence in Western and Eastern contemporary Societies. Van Sant’s Elephant and Fukasaku’s Battle Royale.” Asian Journal of Social Sciences & Humanities. Nr.2. Vol.1 (May).
- (2009). "Sylvia Plath and Janieta Eyre: Estéticas da Imortalidade.” Idearte, Revista de Teorias e Ciências das Artes. Vol. 5 (Nov).
- (2009). "The Violence of the Unsaid in Gus Van Sant's Elephant and Paranoid Park. The Role of the Viewer in Creating Narrative Meanings.” The International Journal of the Arts in Society, Vol. 4.
Artigos em conferências:
- (2013). “Tulsa, de Larry Clark e Rumble Fish, de Francis Ford Coppola: do outro lado do rio da Middle America.” Atas do II Encontro Anual da AIM, May.
Livros e capítulos de livros com circulação internacional:
- (2012). “New Frontiers, old values: representações de colonialismo e racismo em Do Androids dream of Electrical Sheep? e Blade Runner.” Lisboa: Documenta/Assírio & Alvim.
- (2012). “‘Hell is around the corner’: espaços de violência em Transe de Teresa Villaverde. Do microcosmo ficcional ao macrocosmo real." In Carolin Overhoff Ferreira (Ed.) Terra em Transe: Ética e Estética do Cinema Português. München: AVM. Edition.
- (2011). "Larry Clark's Tulsa and Kids: performing Youth Documents." In Philippe Dubois (Ed.) Cinema, Architecture, Dispositif. Udine: Campanotto Editore.
Espectáculos e exposições desde que se enquadre no âmbito da investigação:
- (2013). Screening of the video “Continuum.” Horlursfestival, Sweden, Jul.
- (2013). Screening of the video “The Kingdom.” Videoakt Videoart Biennale, Barcelona, Jun.
- (2013). Screening of the video “Continuum.” Cine Rua 7 Festival (Cinema Street Art), Brazil, May.
- (2013). Screening of the video “Continuum.” Fonlad Digital Arts Film Festival, Coimbra, Apr.
- (2013). Screening of the video “Confessional Acts.” 29th Int. Festival Sarajevo, Feb.
- (2013). Screening of the video “Continuum.” Florida Experimental Video/Film Festival, USA, Mar.
- (2012). Screening of the video “Continuum.” MEMIC (Midlands Experimental Moving Image Collective), England, Nov.
- (2012). Screening of the video “Ballerinas in a quiet place.” Rios - Festival Internacional de Cinema Documental e Transmedia, U Vila Real, Nov.
- (2012). Screening of the video “Continuum.” 16th International Video Festival VIDEOMEDEJA, Serbia, Dec.
- (2012). Screening of the video “Continuum.” Cinetoro Film Festival (Cinetoro Arte), Colombia, Nov.
- (2012). Screening of the video “Continuum.” Noc Noc 2, European Capital of Culture, Guimarães, Oct.
- (2012). Screening of the video “Ballerinas in a quiet place.” Avanca International Film Festival (New Portuguese Cinema), Avanca, Jul.
- (2012). Screening of the video “Continuum.” Arte Video em Trânsito - Exhibition of Lusophone Videoart, Lisboa.
- (2012). Screening of the video “Confessional Acts.” Asca Int. Workshop Film Screenings, U Amsterdam, Mar.
- (2012). Screening of the video “Continuum.” Int. Conf. Álvaro de Campos and Surroundings (Fernando Pessoa), U Nova Lisboa, Jan
- (2012). “Screening of the video “Confessional Acts.” U Lisboa, Jan.
- (2011). Screening of the video “Continuum.” Urban Video Art Exhibition Video Guerrilla, Brazil, Nov.
- (2011). Screening of the video “Ballerinas in Quiet Place.” Guimarães noc noc Art Exhibition, Guimarães European Capital of Culture, Oct.
- (2010). Screening of the video “Stills and frames of a broken-hearted girl.” Walsthamstow Int. Film Festival, London.
- (2009). “Confessional Acts.” Short Film Corner, Le Marché du Film – Festival de Cannes.
- (2009). Screening of the video “Confessional Acts.” Le coq tuguese, Experimenta Design 2009, Lisbon.
- (2009). Screening of the video “Stills and Frames of a Broken-hearted girl.” Women on the Verge of a Nervous Breakdown, ArtContempo Gallery, Lisboa, Feb-Mar.
- (2008). Screening of the video “There’s Always Two Sides for the Same Story.” Calouste Gulbenkian Foundation, Modern Art Center Auditorium.
Outros indicadores de produção científica:
- (2013). “Câmera despudorada.” Bravo! Magazine. Nr. 191 (Jul.).
- (2013). “The Parade- instalação de Nathalie Djurberg e Hans Berg.” Paralaje- Revista Electrónica de Filosofia. Year 6, First Semester. Nr. 9. Chile.
- (2013). “Ana B. & Nuno M. Pereira.” (Interview) Peripheral ARTeries: Art Review. April 2013 - Special Issue.
- (2012). Film review of Chantal Akerman La Folie Almayer. CANAL 180, Oct.
- (2012). Film review of Abbas Kiarostami Certified Copy. CANAL 180, Apr.
- (2011). Film review of Lee Chang-dong Poetry. CANAL 180, Nov.
- (2011). Film review of Giorgos Lanthimos Canino. CANAL 180, May.
- (2011). "Manoel de Oliveira: do sentido primordial do cinema e da sua contemporaneidade." Revista Cena. Nr. 13.
- (2010). “Word and Image.” International Journal of the Arts in Society, Jan.
- (2009). “Brincas of Évora’ Rituals of Carnival and Performance in the South of Portugal.” International Journal of the Arts in Society, Sep.
- (2009). "The Horror, the Horror! A Violência do Indizível em Heart of Darkness e Elephant. O leitor/espectador como agente dinâmico na construção de sentidos." Cine Qua Non #0.
Outras actividades:
- (2013). “Teaching and Practice of Filmmaking in Portugal.” (Chair.) Festival Caminhos do Cinema Português (Org.), Fusing Festival, Figueira da Foz, Aug.
Comunicações apresentadas em conferências internacionais:
- (2013). “Where are the Barbarians? The sense of Otherness in The Mutants, by Teresa Villaverde.” European cinema Research Forum Annual Conference, U Edinburgh, Jul.
- (2012). “A Matter of Time: GusVan Sant’s Gerry.” ASCA 2012 Int. Workshop and Conference Extremely Close, Incredibly Slow, U Amsterdam, Mar.
- (2011). “‘Hell is around the corner’: espaços de violência em “Transe” de Teresa Villaverde. Do microcosmo ficcional ao macrocosmo real." 9.º Congresso Alemão de Lusitanistas, U Vienna, Sep.
- (2011). “The Redemption of Banality: an aesthetic depiction of ordinary teenage life. Audio-visual dissonances in Gus Van Sant’s Elephant and Paranoid Park.” Sonic Futures: Soundscapes and the languages of Screen Media, NECS - European Network for Cinema and Media Studies, Birkbeck and King’s College, U London, 23-26 Jun.
- (2010). “Larry Clark’s Tulsa and Kids: Performing Youth Documents.” Summer School “Cinema and Contemporary Art”, U Nouvelle Sorbonne, Paris, Jul.
- (2010). “Play and Kill: Film Teenage Violence in Western and Eastern contemporary societies: Vant Sant's Elephant and Fukasaku's Battle Royale.” The 1st Asian Conference on Arts & Humanities: East Meets West, The International Academic Forum, Osaka (virtual presentation), Jun.
- (2009). "The Violence of the Unsaid in Gus Van Sant's Elephant and Paranoid Park. The Role of the Viewer in Creating Narrative Meanings.” Arts in Society International Conference, Palazzo Cavalli Franchetti, Inst. Veneto di Scienze, Lettere ed Arti, Venice, Jul.
Comunicações apresentadas em conferências nacionais:
- (2013). “Cityspace, bodies and movement: the urban nomads in Larry Clark’s cinema.” Inter(sections) - A Conference on Architecture, City and Cinema.
U Porto, Sep.
- (2013). “Ainda à procura de um método: James Franco e a adaptação da prosa de Cormac McCarthy ao Cinema.” Neither Here Nor There, Yet Both: Int. Conf. on the Luso-American Experience, U Lisbon, Jul.
- (2013). “É a perceção, não é o músculo. Ainda Shakespeare e o cinema de Gus Van Sant: Timon of Athens e Last Days.” 3rd Annual AIM Meeting, U Coimbra, May.
- (2012). “Kiss the Past Hello-a foreword and an afterword to Larry Clark’s cinema.” Int. Conf. Photography and Cinema, 50 years of Chris Marker's La Jetée, U Nova Lisboa, Nov.
- (2012). “Tempo, Violência e Ética no filme Afterschool, de António Campos.” Int. Conf. Changing Times: Performing Identities on Screen, U Lisboa, Nov.
- (2012). “Memory, Bodies and Youth in Larry Clark’s films.” Int. Conf. Time Networks: Screen Media and Memory, NECS - European Network for Cinema and Media Studies, U Nova Lisboa, Jun.
- (2012). “Tulsa, de Larry Clark e Rumble Fish, de Francis Ford Coppola: do outro lado do rio da Middle America.” 2nd Annual AIM Meeting, U Católica, Lisboa, May.
- (2012). “New Frontiers, old values: representações de colonialismo e racismo em Do Androids dream of Electrical Sheep? e Blade Runner.” Conf. Cibercultura e Ficção, U Nova Lisboa, Mar.
- (2011). “The Body and the sense of the Tragic’ in Gus Van Sant’s Elephant and Paranoid Park.” 1st Annual AIM Meeting, U Algarve, May.
- (2010). “Os Mutantes, de Teresa Villaverde: da violência juvenil no cinema português. O Resgate do Real.” III Jornadas do Cinema Português, U Covilhã, Oct.
Investigação Futura:
- (2013-2014). “Da escrita à imagem: a adaptação cinematográfica de Paranoid Park, de Blake Nelson por Gus Van Sant. Portland, skating e adolescência.” ABRAPUI, U Santa Catarina, Brazil.
- (2013-2014).“Os Mutantes de Teresa Villaverde: da violência juvenil no cinema. O Resgate do Real.” Cinema: Journal of Philosophy and Moving Image. U Nova Lisboa.
- (2013-2014). “O Cinema e o seu duplo: os nómadas urbanos nos filmes de Larry Clark. Movimento, Corpo e Sensação na cidade cinematográfica.”
- Revista de Comunicações e Linguagens, U Nova Lisboa.
- (2013-2014). “Violência, Ética e Tempo no filme Afterschool, de António Campos.” Anglo-Saxónica, ULICES, U Lisboa.
- (2013-2014). “Afterschool- Rostos e Violência.” DRAMA - Revista de Cinema e Teatro.
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